Selfish, thoughtless and stupid
I have heard the idea, from several
different sources, that the galactic federation of our cousins out there have
kept Planet Earth quarantined because of our lack of respect for life.
Now, this sounds eminently
reasonable to me!
We do not need to look any distance at all to have our
lack of respect - let alone reverence - for botanical, zoological or even human
life undeniably exposed. Personally I am reassured that somewhere out there is a
civilisation that acts on an ethical basis. And personally I am convinced that
those in charge of the Crop Circle Project are part of the same team.
In 1994, driving through Froxfield
on the way to a Centre for Crop Circle Studies (now there’s a blast from the
past!) Council meeting in Glastonbury, I noticed a crop circle by the side of
the A4. It turned out to be the Froxfield flower of August 4th, a large and
elaborate variation of what now, as a result of skilful marketing, is generally
called the Flower of Life.
It
was, for its time, a very big crop circle, but what immediately impressed me on
entering its huge arena was an overwhelming sense of welcome and hospitality. It
took some time to understand this but, eventually, I got it. The Flower of Life
diagram, as drawn geometrically, runs circles through the junctions of other
circles. Several lines pass precisely through points. Yet in this crop circle
FoL, petal point never met or touched petal point. There was invariably a clear
gap between every petal and its neighbour, between every two blocks of adjacent
standing crop.
The sense of
welcome and hospitality arose because of this. Right through this big formation
access to everywhere was clearly visible. Doorways, gateways, portals were
considerately left available. You could move anywhere in the formation and you
could move there easily.
Of course along with this came the clear
perception that there was never a need to trample the crop down. The open
portals were not only to welcome visitors, they were there also to limit the
stomping down of living plants.
As a result of Froxfield, for me a
seminal experience, I understood the labyrinthine nature of the circles, their
provision of spaces to walk through with ease and with pleasure. And since
Froxfield, though I have looked hard, I have never found a crop circle which
either denied access to a closed space or required us to stamp down living crop
during our visit.
Respect for life. Hospitality for visitors.
Consideration for the farmers.
We are only half way through July and we
have already been granted formations of breathtaking quality. Yet something
about the beautiful Westwoods formation is I believe of tremendous significance
in the history of this phenomenon. Let us forget for a moment the awesome
delicacy of this design, the skill with which the four serpentine arms weave
outwards to culminate in a point. Let us ignore the enigmatic disposition of
small circles around the arms, the unusual breaks in the orbit ring of the
central Celtic Cross. I want to draw your attention to what might at first seem
the most mundane component of this crop circle. The central ring.
It had
several characteristics. First, the flattened circle in the middle was
exquisitely laid with an off-centre swirl. Second, the surrounding ring, the
standing wall of wheat around the flattened circle, was about six feet thick.
Third, it was positioned between the tramlines. The rules of hospitality and
respect for life were, I believe for the first time ever, broken. There was
quite simply no conceivable way to enter that space without breaking through a
wall of living crop.
The implications of his small detail are staggering.
There for all to see was a beautifully formed central circle which, demonstrably
and inarguably, could not be accessed and had never been entered. In this
already astonishing season we had been offered another prize.
The
photographs, particularly Bert Janssen’s ground shot of the central ring, was
the holy grail which the most bigoted and fearful of debunkers could not
dismiss.
And then what did we
do? This community of pursuers of wisdom, of searchers for beauty, of seekers of
spirit. Within hours we stomped through that noble and articulate wall and
destroyed its integrity. I do not know who went in first, but shame on you. I
have no idea who was there to witness this selfish and mindless action but did
nothing to prevent it, but shame on you, too. I have not got a list of all those
who said “Well it’s broken so I might as well go in now.” but shame on you all
as well.
For years we have tried to persuade the farmers, who are the
custodians of the fields which are their patrimony and their livelihood, that we
are grateful for the privilege of visiting the land which is the essential
canvas for the circles. And when we get in, we conduct ourselves like louts,
showing absolutely no consideration for future visitors, no respect for the
farmer, his land and his forbearance in allowing us in. Above all, we seem to
show something verging on contempt for the phenomenon itself.
Offered divinity and beauty we
respond with stupidity. Is it any wonder Planet Earth is quarantined?
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Michael Glickman - Short Bio
Once referred to as "Croppiedom's King of Controversy" Michael Glickman has long occupied a central space at the heart of public comment on the crop circle phenomenon. A former architect and teacher, he is now a renowned and inspirational speaker and writer. His work on the geometry and interpretation of the crop circles has spanned over 16 years. Michael has written several regular columns on the crop circles over his career, both in print and on the internet. Wheat from the Chaff is his latest incarnation. His book, Crop Circles (published by Wooden Books), is now in its third revised edition and his recent book Cornography, a selection of his former column writing, was published in 2007.Temporary Temples
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Selfish, thoughtless and stupid
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Once referred to as "Croppiedom's King of Controversy" Michael Glickman has long occupied a central space at the heart of public comment on the crop circle phenomenon. A former architect and teacher, he is now a renowned and inspirational speaker and writer. His work on the geometry and interpretation of the crop circles has spanned over 16 years. Michael has written several regular columns on the crop circles over his career, both in print and on the internet. Wheat from the Chaff is his latest incarnation. His book,